Get Color to Dive For!
Cathy Church literally wrote the book(s) on underwater photography. Enjoy her techniques here and join her around the globe. Marty Snyderman’s articles have graced dive magazines for decades. Learn here and join him in the Philippines.
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Hi Vivid-Pixers!
The first two images discussed in this blog were created in oceans that are halfway around the world from each other. In addition to that, the images were created were significantly different camera systems. The shot of the rosy-lipped batfish resting on the sand was created with a macro lens at Costa Rica’s Cocos Island.
The shot of the bottlenose dolphin...
Hi Vivid-Pixers,
In many respects digital photography has a lot in common with analog photography, meaning the use of film. For example both digital and film cameras use f/stops, shutter speed and ISO to govern exposure. Another commonality is that at depth the use of strobe light is required to “paint in” colors back into foreground elements. If not for the use of strobe light those colors would be lost from the selective filtration of...
Hi Vivid-Pixers,
In all of my previous blogs I have written about techniques involving things you want to consider or do during a dive. This blog is a bit different in that I will be discussing some things that you will want to do before your dives as you prepare and assemble your camera system.
Sometimes when I bring up this topic in my photography classes students respond as if this aspect of...
Hi Vivid-Pixers!
I think it fair to say that dolphins have a special place in the hearts and minds of a lot of divers. We admire their aquatic skills, obvious intelligence, and social nature. And we appreciate the fact that dolphins just have a way of lifting our spirits and bringing out the best in us whenever they appear.
Add a camera system to the feelings shared by so many, and there...
Muck diving. The term hardly sounds appealing, but in many popular diving destinations muck diving is the rage. As the name suggests, muck diving involves diving in areas where the sea floor is mud, clay or sand, preferably black sand in an area near where a freshwater river empties into the sea. Thus, muck diving habitats are considerably different than a kelp forest or coral reef where the vast majority of sport diving has been...
Here’s A Question For You
Let’s assume you want to create an image that has a strobe-lit, colorful foreground subject and properly exposed water in the background. If you are diving in rather dark, greenish water as you might be in New England, California, Oregon and Washington etc., would you want your strobe to emit a brighter light (more powerful strobe or higher power setting on your strobe) because the water at depth is not...
In almost every underwater photography class I teach, when the subject is lighting and strobes students are quick to ask a question regarding how many strobes they should use. My answer usually comes in the form of a question, or several questions. That’s the way I teach. I want students to think about the potential answers and my reasons for answering the way I do instead of trying to memorize my answer and simply accepting...
Hi Vivid-Pixers!
“Have underwater camera. Will photograph fish”.
I think this mantra applies to just about every underwater photographer in the world. After all, colorful fishes are one of the underwater world’s feature attractions, and for photographers many species are simply irresistible. But despite all of the things that fishes have going for them- color, beauty, eye-catching antics and fascinating behaviors etc.- it is still possible to take rather boring photographs of even some of...
Hi Vivid-Pixers!
If you watch new underwater photographers as I have over the years, you would surely see that a significant percentage of them that try to take pictures of dozens of subjects on almost every dive. I often explain their style as “shooting at anything with gills”.
I get it. For a lot of us...
One of the pitfalls for underwater photographers, especially newer shooters, is failing to have their subject fill a pleasing percentage of their photographic frame. All too often, the result is a fantastic subject that is too small in an image. In short, the best way to describe a picture like that is “an opportunity lost”.
